Puppet & Prop Design

I specified wood and insulation foam for milling the supports for the animal bodies. The foam layer was then sculpted by hand, coated in joint compound, and painted.

ANIMAL CONSTRUCTION


I designed large-scale puppets and props for a professional production of The Magic Flute by the Moores School of Music at the University of Houston.

I collaborated with the production’s director and creative and technical teams to realize the director’s vision. This included incorporating French rococo motifs throughout the forest sets, which I reflected in the puppetry designs with scrollwork.

I designed a large dragon maw and three forest animals manipulated by actors on stage. The animal puppets’ construction design had to be simple enough to be manufactured quickly yet have enough points of articulation to be reasonably expressive.

IDEATION


BACKGROUND


I made lips out of pool noodles and covered the lower parts of the jaws in fabric to represent gums.

Decorative fixtures detailed the face and a black fabric sheet lined the mouth, creating the illusion of a cavernous maw.

The most elaborate puppet was the dragon, which was a 10-foot wide jaw suspended from cables so the jaws could move.

All four jaw components were hand cut with a jigsaw.

DRAGON CONSTRUCTION


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